Tag Archives: memoir

Best flash memoir collections

These are books I would classify as flash memoir collections and great reads: – I Remember by Joe Brainard (1975) – Love, Loss, and What I Wore by Ilene Beckerman (1995) – The Boys of My Youth by Jo Ann Beard (1998) – My Life as a List by Linda Rosenkrantz (1999) – Safekeeping: Some True Stories […]

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Writing Wonder: Riff on a random Word

I’d like to share my ultra-favorite writing exercise with you. Pick up any book that’s close at hand. Close your eyes. Open the book and place your finger randomly on a page. Write a story using that word as inspiration (or move your finger until you can). Alternate: Start your story with an eye-catching phrase […]

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Summer writing prompts

I’ve been enjoying reading Abilgail Thomas’ book, Thinking About Memoir. It offers many succinct and thought provoking observations as well as a boat load of compelling writing prompts, and all in a slim 108 pages. One reviewer writes this perfect assessment: “If [you] aren’t afraid to dig deep, zero in on details, write an honest […]

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Create associations for your reader

This great advice is about the associations you create with the words you choose in your story, and the need for mindful precision. It’s focused on poets and adjectives, but applies equally to flash story writers and to nouns and verbs … Ted Kooser, in the Poetry Home Repair Manual, writes:  You may have been […]

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Pros & cons of present tense in memoir

Have you tried to write a memoir in present tense? It’s a perfect fit for many memoirs, but can be challenging for the writer. I recently attended a panel discussion on this topic at the 2014 AWP conference, presented by Kate Hopper, Hope Edelman, Bonnie Rough, Marybeth Holleman, and Ryan Van Meter, and they had […]

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Trap your story topics

I have found it extremely useful to keep a list of subjects or, more specifically, scenes I want to write about as they occur to me. And, since things to write about nearly always occur to me at inconvenient times – in the shower, during a conversation with a friend, while I’m reading a book, while […]

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Economize with setting descriptions

With length of prose being the perennial challenge in flash storytelling, making setting descriptions crisp and meaningful is paramount.  A great description of place can be helpful in compressing a story by serving double-duty and illuminating a character or other necessary story element. For example, a thoughtful description of the contents of your dad’s desk is […]

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Ars Poetica, Sort Of by Kathleen Lewis

This is a great piece, published in Treehouse literary magazine, about writing … and feeling … and …   Ars Poetica, Sort Of by Kathleen Brewin Lewis Because you think your poetry has become too full of clear skies and morning birdsong, you begin breaking your pills in half. There’s a little line in the […]

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Moving Water, Tucson by Peggy Shumaker

This is a story I read aloud in Flash Memoir 101 class, and is the first piece in the Short Takes anthology. It’s a great example of making a story out of something small and beautifully illustrates the traits of good flash stories. If you like it I hope you’ll read more from Peggy Shumaker […]

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From vignettes to book

I’m pulling this post from July’12 back to the top of the blog because it’s such useful and inspiring information, and it was mentioned in today’s Nat’l Assoc of Memoir Writer’s telesummit. If you missed that, you’ll be able to download an audio file soon from http://tinyurl.com/k4fwf84. —————————————– Guest post by Kathleen Pooler As I […]

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Free memoir telesummit on May 9, 2014

If you don’t know about it already, there’s a free memoir telesummit coming up on May 9, hosted by the Nat’l Assoc of Memoir Writers, starting at 10am PDT. There are four segments, each with a different speaker and topic, and you can pick & choose your favorites. I will be presenting Flash Memoirs 101 […]

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Writing Wonder: Letter to a Friend

This writing exercise teaches you how to skip the preamble and background detail, which you so often don’t have room for in a flash story, and head directly into the intimate detail that makes the story most interesting. … Think of a significant personal event that you shared with a good friend or family member. […]

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